Showing posts with label M83. Show all posts
Showing posts with label M83. Show all posts

Friday, March 30, 2012

Keep Climbing!; The Songs We Wanna See Go Higher

We are ALL about diversifying the POP landscape... & let's face it, the Billboard Hot 100 could certainly use some more variety. Recently, we've noticed a shift in popular tastes in our native USA. We hope that this trend continues, & by doing so, adds some spice & flavor to the POP music charts & airwaves. Here are the 6 songs to which we scream "keep climbing!"

Calvin Harris - Feel So Close (#15) - Oh Calvin! The Scottish raver behind international hits deserves another chart-topper of his own. It's that simple. And after the smash success of We Found Love, America will easily welcome him with open arms & neon disco balls (we feel so close to you Calvin, it's a force-field).

Fun. - Some Nights (#70) - Although a bit more complex than other tracks on their second record, Some Nights has the potential to become a collassal hit-- especially with its accessible chorus & witty lines like "here they come again to jack my style." But for now, Fun.'s current reign at #1 with We Are Young will continue to reinvigorate the POP-friendly indie band.

M83 - Midnight City (#75) - Fellow blogger Nico Lang wrote an excellent article entitled "Why We Should Make M83's 'Mightnight City' the #1 Song in America," encouraging POP-savants to mobilize behind Anthony Gonzalez's alternative masterpiece. We completely agree with him. Midnight City has earned an outpouring of critical acclaim since the release of Hurry Up, We're Dreaming last year. M83 has produced some incredible cult classics during its 10+ year lifespan, & it is about time for the band to reach popular music audiences. The beautiful & expansive Midnight City could be the ticket.

Adele - Rumor Has It (#44) -We're so proud of Adele. As someone who started as an indie singer-songwriter and catapulted to mainstream stardom, she hasn't compromised her vision nor her sound. She's still writes from the heart and puts out singles that aren't standard POP tracks in the vein of Rihanna or Katy Perry. Though she works with some big name producers, she's able to get a sound of out them that is unlike anything they've done for their other POP clients. Rumor Has It is the best example. Produced and co-written with Ryan Tedder, the One Republic frontman behind Beyonce's Halo and Leona Lewis' Bleeding Love, Rumor Has It is missing his signature synths and bum ba da bum bum bang beat, instead sounding like a bluesy time-capsule to another era. Our favorite part is the bridge, when Adele puts the uptempo attitude on pause and balladeers with a piano accompaniment. Without a doubt, this is the best song on the album. It most definitely deserves the top spot on the Hot 100.

Ellie Goulding - Lights (#66) - Across the pond, Ellie Goulding has turned her electro-folk into a POP staple. She's a bit like Taylor Swift, but with a larger vocabulary, writing songs that possess catchier hooks and more experimental song structures than any of Swift's recent singles. Lights is Goulding's most straightforward pop song to date, written with and produced by Richard "Biff" Stannard, the man behind the Spice Girls' biggest hits. Together, they've created a track about Ellie's childhood fear of the dark. Cute.

Gotye - Somebody That I Used to Know (#4) - Though this song has finally made it to the Top 5, it's still not regularly played on Clear Channel stations, which boggles our minds. Such a high climb without much airplay indicates that it would be a surefire hit on radio. Times are-a-changin'. We're entering a '90s like period where indie bands (Fun., Foster the People) and singer-songwriters (Adele, Gotye) sit beside manufactured POP on the Hot 100. It's time for radio to catch up.

Unapologetically,

Gregory & Minna

Friday, November 4, 2011

JFF - The Sax Makes a POP Comeback

POP lovers: have you noticed a peculiar musical resurgence of the SAX? We have - the SAX being the ever-so-timeless saxophone, that is (remember the Sex & the City episode where Carrie dates the sax-player? Classic).

Why so much sax? The factors behind its recurrence in POP music are numerous & complex; they range from pure 80s nostalgia to POP-jazz fusion. One thing is for sure: it seems that every new single features a saxophone solo these days! There are innumerable examples, but for our sake, I narrowed it down to three.

M83 - Midnight City - This is M83's best song in years - this from the girl who tye-died her T-shirt & wrote We Own The Sky on the back. Anthony Gonzalez of M83 is known for his faith in the recording studio, but his decision to add in the saxophone is new - and it fits. The sax definitely adds a dreamy, nostalgic element to the single, which is omnipresent right now (within the span of one hour yesterday I heard Mightnight City at Urban Outfitters, H&M, & then, disturbingly, on a Victoria's Secret commercial. Anthony Gonzalez is an indie POP king right now - rightfully so, because Hurry Up, We're Dreaming is brilliant)

Katy Perry - Last Friday Night (T.G.I.F.) - This epic 80s throwback POP song is so fun that even Katy-haters can't help but sing along (Dr. Luke & Max Martin really struck gold with this one). The POP-happy saxophone slides in so casually that you almost forget it is featured - & we would, if not for the white-suited rooftop musician in the music video!


Lady GaGa - The Edge of Glory - You can count on Mother Monster to make the most of instrumentation in her music (Alejandro would not be the same without the violins). In The Edge of Glory the saxophone immortalizes her journey to the edge and adds a hint of good ol' fashioned rock n' rumble jazz - it almost sounds like a Harlem throwback (GaGa is never shy to delight in the city that raised her!)

Do you have any favorite songs that feature the saxophone? Let us know - Happy Friday POP-lovers!

Unapologetically,

Minna