The CUBEBOT Robot Lounge by David Weeks, Quinze & Milan and AREAWARE.

Cubebot (2012), qm foam, 250 x 160 x 180 cm

David Weeks, the award-wining American-based designer, Quinze & Milan, the innovative Belgian design company and AREAWARE, the New York City based producer of unusual design objects, have joined forces for MOST.




At twenty times his original size, the lounging Cubebot sculpture in QM FOAM will put a smile on your face and provide a comfortable spot to take a break.






David Weeks' sustainably harvested wood Cubebots for AREAWARE:



MOST SALONE BY TOM DIXON
MOST is a new destination instigated by Tom Dixon which will turn the National Museum of Science and Technology in Milan into an ambitious environment for innovation and culture. MOST delivers a diverse group of leading global brands and young designers who will be located in the extraordinary historic spaces of the museum. This collision of technology, culture and design is set to be one of Milan's highlights during Salone del Mobile 2012.

Vintage Eames Lounge Chairs and Ottomans Get Maharam Makeovers for Moss.

Three unique vintage Eames lounge chairs and ottomans are being offered as one-offs by New York's Moss Gallery. Dutch designer Hella Jongerius and Moss take the 20th century icon and re-interpret these now 'classic' and ubiquitous symbols of Modernism as part of a one-off collection of special upholstered pieces they are collaborating on with Maharam. Over time, Moss hope to create an expanding dialogue between Maharam's contemporary textiles and strong iconic works from Moss' collective object-history.


above: The Eames Lounge Chair and Ottoman is part of the permanent collection of the Museum of Modern Art, New York.

These rare, vintage Eames lounge chairs and ottomans are produced in Brazilian rosewood veneers, the original wood chosen by Charles and Ray Eames for the iconic chair when it was put into production in 1956. In 1992, Herman Miller ceased producing the chair in Brazilian rosewood due to a worldwide embargo on the endangered species.



above:
designers - Charles Eames and Ray Eames
design year - 1956
manufacturer - Herman Miller, USA
materials - Brazilian rosewood; aluminium; upholstered with Maharam Repeat Dot fabric (55% Cotton; 24% Polyester, 21% Rayon)

The third is another vintage Eames lounge chair and ottoman made with Brazilian rosewood and aluminium. Moss has upholstered this special chair and ottoman in 'Voyage' fabric, a rich blue wool produced by the renowned textile house Maharam. As with many of their textiles, the fabric is produced with reduced environmental impact and is 'Greenguard' certified for reduced indoor air emission.:


above:
designers -Charles Eames and Ray Eames
design year - 1956
manufacturer - Herman Miller, USA
materials - Brazilian rosewood; aluminium; upholstered with Maharam 'Voyage' (100% wool)

dimensions:
chair: 32.75" x 32.75", height: 32"
ottoman: 26" x 21.5", height: 17.25"

price for each:
$12,000.00
buy any of the three here


Maharam
Maharam, a fourth generation family-run business, celebrated its centennial in 2002. First renowned as a supplier of theatrical textiles, in the 1960s Maharam pioneered the contract textile concept, developing engineered textiles for commercial application. Though performance is an essential element of every product, Maharam continues to create innovative textiles through the exploration of pattern, material and technique.

Maharam pursues a holistic approach to design, embracing a range of disciplines as fundamental to its business philosophy; showrooms, graphics and accessories receive the same attention to detail as product design.

The Maharam Design Studio is responsible for the development of Maharam’s extensive textile collection, ranging from re-editions of enduring designs of the twentieth century’s most noted visionaries to fashion-forward concepts and materials. The Maharam Design Studio maintains a strong focus on new technologies and cultural markers, often finding inspiration beyond the textile industry, including collaborations with avant-garde industry outsiders. Conceived to foster an open dialogue across varied design disciplines, these collaborative projects also serve to introduce a fresh perspective and unexpected media into the world of textiles.

Maharam has textile designs in their collection designed by both Charles Eames (Dot Pattern) and Hella Jongerius (Repeat and Layers).




In the above book, Maharam Agenda, Maharam takes a holistic view of design, embracing a range of disciplines including architecture and interiors, furniture, fashion, accessories, graphic and digital media. The Maharam Design Studio oversees the cultivation of an extensive textile collection, ranging from re-editions of enduring designs by the twentieth century's most noted visionaries to textile-based collaborations with industry outsiders including Konstantin Grcic, Hella Jongerius, Maira Kalman, Bruce Mau, Jasper Morrison, Nike and Paul Smith, among others. The publication provides a comprehensive overview of the company's history, cultural markers and design projects. Abstracted product applications are featured through "Useless Objects," a collaboration with Jasper Morrison.

You can buy this first edition 2011 hardcover book here

Walrus, Octopus & Rhino Chairs by Maximo Riero

The Animal Chair collection by Maximo Riero consists of a diverse range of species; an octopus, a whale, a rhino, a walrus, a lion and even a beetle. Each unique chair is faithful to the animal's image and yet has incorporated traditional tufted seating in its appearance. Thus far Maximo has completed three of his intended collection, the first being an Octopus, followed by a Rhinoceros and a Walrus. A Lion, a Beetle and a Whale are the next three to come.



The Octopus Chair:













The Rhino Chair:











The Walrus Chair:





















About the artist:

Máximo Riera has been a practicing artist for over thirty years. Whilst predominantly working in photography, painting and sculpture, he has also published a collection of poetry. Inspired by his travel and experiences through Europe and the Caribbean Islands, Máximo's vibrant use of colour and evocative attention to detail have been an inspiration which convey the meaning of his creations. His work also demonstrates a predominant influence from abstract expressionism and the Pop Art movements.



Even though his artistic career was relegated to a secondary role due to his professional life in the medical industry, Máximo still organized several exhibitions and events for his work, with all proceeds going to charity.



Born in Asturias, Northern Spain, Máximo has now retired to his studio in Cadiz, where he paints and sculpts each day.



www.maximoriera.com