Denmark Home For Architect Jesper Brask Is Made From 150 Local Trees and Kolumbia Tiles.

Both New Zealand's Elle Decoration magazine and the Stylepark website have featured small glimpses of this beautiful weekend house located on the Kattegat Fjord in Denmark designed and developed by architect Jesper Brask of Brask & Leonhardt for himself. Intrigued by the design, I searched for more images of both the exterior and interior and after much digging, found them.





The home was called the Tree House in the July, 2011 issue of New Zealand Elle Decor and the article mentioned how Brask harvested 150 trees from the very forest in which the home was constructed, cut them into raw beams and left them to dry for three years before beginning to build his long-awaited holiday home.





Stylepark features the home in an article about the "Kolumba" tiles used as building materials. The Stylepark article states that it took two years for a Finnish carpenter to erect the house's wooden structure using only wooden dowels; no screws. The living area is on the ground floor, with a column in the center combining the fireplace and kitchen island.



A large chimney core made of "Kolumba" tiles is now the architectural centerpiece and the anchorage to the plot of land. On the outward-facing side there is a fireplace for cooler days, while inside, where the chimney dominates the interior design, it has a work surface for preparing food and is at once a stove and airless oven. Brask was looking for a suitable material himself to serve as a harmonious counterpoint to the dominant spruce when he came across Petersen's "Kolumba" tiles in an architecture magazine.




"I wanted a stone of the same size and with the same surface effect, and so I visited the brickworks, which, together with the architects Lundgaard and Tranberg had just developed a new version of the "Kolumba" tile for the theater in Copenhagen. "Kolumba" was available in two versions then, but I wanted a stone that looked like another stone from the Petersen range. The brickworks obliged and produced a new version in yellow, English clay: The tiles are shaped and painted with white clay paste by hand before they are dried and fired. The result: light colors and a very special transparency, which blends harmoniously with the light, untreated spruce wood."



images courtesy of Brask & Leonhardt, Stylepark (by Anders Sune Berg), and Elle Decoration



Petersen's Kolumbia tiles can be found here

The Miwa House, An Award-Winning Custom Home by Phil Kean Designs.

“Miwa”, a modern, custom home by Phil Kean Designs, Inc., earned one of the home building industry’s highest honors when it captured the coveted Golden Aurora Award in the 2011 Aurora Awards design competition presented at the 33rd annual Southeast Building Conference (SEBC).




Judges’ comments included this from Ed Binkley, AIA, Ed Binkley Design, Winter Park, FL: “This contemporary home blew away the competition from start to finish”, a complete package with clean lines; a spectacular entrance draws in you and does not disappoint. Continuity flows throughout with style, design and merchandising each complimenting and creating a complete package.”




This contemporary home features clean lines and extensive details, a unique entrance of floating steps over moving water, attractive focal points, great flows of volumes and spaces, and incorporates large areas of indoor/outdoor living on both levels.





The challenge was to connect the main home to the existing guest house which was accomplished with a center garden and floating step walkway which mimics the main home’s entrance.




The garden features a fountain, fire pit, pool, outdoor arbor dining area, and LED lighting under the floating steps. Taking aging in place into consideration, there are master suites on both levels, elevator, and garage entrance.






The home’s great room and kitchen open to the lanai, summer kitchen, and garden via folding and pocketing glass doors and uses a retractable screen concealed in the lanai. When the screen is lowered, it holds up to 90% of the home’s conditioned air and keeps out insects. The 2nd floor master and exercise rooms open to balconies.

Foyer, stairs and great room:



Dining area:

Kitchen:


Master Bedroom Suite:



Master Bath:

Alt Master suite:


The home also has a theater room, library, and office/workshop with Murphy bed.

Theater Room:



This home was built for empty nesters who have long term guests, hence the private main residence and the close but not too close guest house.





Golden Aurora
Winner: Phil Kean Designs
Category Name: CUSTOM HOME (One of a Kind) Over $3,000,001

For Project: Miwa located in Winter Park, FL
Team Members include: Phil Kean Designs; Evergreen Consulting; CRT Studio, Inc.; Cabinetry Creations; and Harvey Smith Photography
Size of Unit: 4728
Sales Price: $3,020,000.00

In addition to the Golden Aurora, Phil Kean Designs, Inc. was honored with Awards for Best of State, Kitchen, Interior Detailing, and Interior Merchandising.

The nationally recognized Aurora Awards honor builders, planners, architects, developers, designers, interior merchandisers and other housing-related professionals in a 12-state region stretching from Texas to Virginia plus the Eastern Caribbean.

Phil Kean Designs, Inc. partnered with CRT Studio, Inc. and Cabinetry Creations to produce the 4,728-square-foot, $3 million luxury home in Winter Park that a team of independent judges deemed the best of more than 200 entries.

CRT Studio strives to create artistic, poetic, interior environments that create balance and harmony for our clients and their spaces. Through design communication, conversation and execution we make each project a distinct realization of their dreams.

images courtesy of Phil Kean Designs, The Auroras and CRT Studio

The Hillhouse Of Melbourne, Australia By Andrew Maynard Architects.

Interior:








Text about the home from Andrew Maynard Architects:

The problem/opportunity:
Design is complex. There is little that is more complex to design than a home, however fundamental issues offer an architect a starting point; where is the sun? How do we capture it in winter, how do we exclude it in summer?

The thin allotments that dominate Melbourne's northern suburbs often provide indomitable constraints to solar access and therefore require the production of unorthodox ideas to overcome these constraints and convert them into opportunities.

Original conditions:
The site faces north therefore relegating the backyard, the family’s primary outdoor space, to shadow throughout the year. In the 90s a two storey extension was added reducing solar access even further while creating deep dark space within the house. A family of five wished to create a long-term home, which could meet the requirements of three small children and their slow transformation into young adults over the years.

Response:
Rather than repeating past mistakes and extending from the rear in a new configuration, the proposal was to build a new structure on the rear boundary, the southern edge of the block, upon the footprint of what had been, until now, the back yard. The new structure faces the sun, the pure cantilevered box above acts as the passive solar eave, cutting out summer sun, while letting winter sun flood in.

Following the decision to build at the rear of the block a ubiquitous modern box was first imagined. Soon it seemed necessary to pursue the opportunity to activate this new, once shaded, now sunny facade. A seat along the new northern facade? Perhaps a series of steps like the Scalinata della Trinità dei Monti? But how does one lounge in the sun on steps. Perhaps a slope instead .... And the hill house evolved/emerged.

The new structure faces the original house. The backyard is now the centre of the house activated by the built form around it. Beyond solar gain, the benefit of the new structure being in the backyard is that it borrows landscaping from its neighbours’ gardens. The high windows about the entertainment cabinetry and the dining area are enveloped in trees. Internally one gets the sense that Hill House is enveloped by bush rather than part of the suburban mix.

Along one boundary a 2m high fence was created, but unlike most houses the Hill House has a one metre wide fence; a corridor lowered into the site to achieve head height. This in turn creates a lowered dining area. One rises into the living space. The change in floor level creates a bench seat for the Maynard designed ZERO WASTE TABLE.

Front Street no longer provides the main entry to the home. Family now enters via the side lane. The original house, now private dormitory spaces, no longer has a typical relationship to the N#@$%k street’s “front” door. The original house, as with most narrow blocks throughout Melbourne, demanded that visitors walked a long corridor past bedrooms to the living area. Stolen quick glances into dark private spaces always occurred along the journey. At the Hill House the entry is reorientated. The kitchen, the nerve centre, the hub of the house, is the new greeting point. Beyond is the park. Adjacent is the living space, the yard and the "kids’ house" beyond.

The old house is converted into "the kids’ house". The old house is as it once was. The rear of the simple masonry structure, though spatially connected, is not reoriented, a face is deliberately not applied. It is left honest and robust. With a restrained piece of “street art” to be applied.

Form:
Andrew is from Tasmania, a place dominated by its landscape. Built form is secondary and subservient to landscape. Melbourne is predominantly flat. Could this be why Melbourne’s architecture is adventurous? There is no landscape to confine therefore building is free to become landscape. Hill House is a response to this possibility. Melbourne is flat. If one is to explore the possibility of cantilevering off a cliff (a desire of many architects) one is forced to manufacture that landscape. A monolithic form is unsheathed from the hill and placed atop. A celebration of the synthetic, the manufactured. A simulacrum of both an undulating landscape and the pure architectural form.

You can view the construction of the Hillhouse here

Thanks to Knstruct for bringing this to my attention