This three and a half minute visual and audio re-invention really impressed me. Boo Bass, an awesome remix by Nick Bertke, is a catchy composition using sounds from Disney Pixar's 'Monsters, Inc.' with fantastically edited footage from the 2001 movie by David Kabisch.
Nick, known as Pogo, records sounds from his favourite games and movies and pieces them together like a jigsaw puzzle to create completely new music. His videos have collected over 40 million views on YouTube, and he's produced remixes for Disney Pixar, Microsoft, Showtime, the United Nations and more. See his work here.
And check out more of the editing work of David Kabisch aka goldpikpikcarrots on his YouTube channel here
The second season of the HBO series Game Of Thrones has begun and each time I watch it, I am mesmerized by the opening title sequence. I wanted to share it with my readers and in doing so, came across two wonderful articles I'm cobbling together.
The first is an article on The Hollywood Reporter which features an interview with Angus Wall, who designed the sequence and titles (and long ago, in another lifetime, worked with me as the editor on one of my tv commercials). You may recognize his name from winning Oscars for editing both The Social Network (2010) and The Girl With The Dragon Tattoo (2011).
The other, an impressively comprehensive post from Art of The Title, features another interview with Angus Wall as well as wonderful concept sketches and renderings for the opening sequence that I've shown in this post.
The Hollywood Reporter sat down with the talented Wall last year to ask him how he came up with the idea, what it means and how it was executed. Below is a reprint of that interview with added interspersed images from the Art of The Title article:
Angus Wall of the company Elastic got Emmy noms for Big Love's and Rome's title design and a win for Carnivale, plus a Social Network editing Oscar. But what's hotter now is his genius opening title sequence for HBO's critical smash Game of Thrones. HBO wanted something like the map that begins books like The Lord of the Rings. "We wanted to do something different from the standard tropes for fantasy maps," Wall tells THR. "So we came up with the idea of a world inside a sphere."
The sphere idea came from a '60s sci-fi space station with terrain inside -- yet it had to look nonfuturistic, to evoke the Middle Earth-ish setting of George R.R. Martin's book. "It had to look like it was made in that time, so we immediately referenced Leonardo da Vinci's machines," says Wall. "We wanted it to look like a real place photographed with a real camera."
The computer-illusion "camera" swoops from kingdom to kingdom, focusing on the family crest that sits atop each place -- the "sigil." "The sigil becomes the main cog that triggers the animation" -- the da Vinci device, full of interlocking cogs. "So the model of the place emerges out of the floor of the map and comes to life." Like the show itself, the title sequence strives for realism within a fantasy setting. "In the shadowed areas beneath the surface of the map, there are cogs in there. If you look carefully, you'll see they're all working with the cogs that are exposed above the surface of the map."
The six Sigils (or family crests):
And is this cog-filled da Vinci war engine a metaphor for the many hidden, interlocking machinations of the show's families fighting for the throne -- the Houses of Lannister, Baratheon, and Stark? "Absolutely!" says Wall. "And the map reflects the attitude of each place. Winterfell is a lot more rustic." Kind of like the Shire in Tolkien? "Yes. And each place has its own climate. Southern Westeros is more temperate.To the East, Essos is almost Mediterranean. As you go north, Winterfell gets harsher, and further north, The Wall is a continent-wide wall of ice."
The Wall:
Winterfell sketch and final rendering:
Castleblack sketch and rendering:
Gotswood sketches:
Port city of Pentos:
If you watch the title sequence attentively, you'll see the the feuding families' backstory told in pictures. "In the middle of the sphere there's the sun, and in the middle of the sun there are bands around it, relief sculptures on an astrolabe which tell the legend of the land," explains Wall. "We cut to those three times in the title sequence, so you actually see a history of Westeros and Essos. The third time we see all the animals [representing] the different houses bowing down to the Baratheon stag, which brings us to the present, where there's a Baratheon king [played by Mark Addy]."
The Astrolabe rendering and final:
Got that? George R.R. Martin's 15 million readers are likelier to get it than casual viewers. Wall is bowing down to them, the way he bowed to scholars when he made the Rome opening titles, which were full of authentic graffiti from ancient Rome. "We wanted to be very, very faithful to the book because we knew there would be a large fan base that will be looking at this very carefully," says Wall. In The New Yorker, Laura Miller writes that angry Martin fans call themselves "GRRuMblers," and Martin tells her, "If I f--- it up...they'll come after me with pitchforks and torches."
Dothrak sketches:
Even if you're a peaceable newcomer to Westeros carrying no torch for Martin, Wall thinks the title credits will help you get oriented. "It's not necessarily important that the audience explicitly understands every detail at first. But you always have a sense that there is an internal logic. Title sequences are a weird art -- to function, they have to have that logic -- their own clockwork, as it were."
Eyrie sketches and rendering:
"It's a map that's constantly evolving," says Wall. "We have four different versions. Episode two has a different title sequence, and there are later episodes where we go to two new locations -- The Eyrie and The Twins." But Wall won't say what clockwork wonders await you there. "Those are treats to come." The two-year Thrones experience was a treat for him. "It's one of the most fun projects I've ever worked on." - Hollywood Reporter
In the process of writing this post I came across this hilarious take-off on the Game Of Thrones opening sequence for The Simpsons, which is definitely worth including.
This is so odd, I simply had to share it with my readers. Super Doggies are a musical and 3D visual project created in 2012. The project depicts a "virtual band" of cartoon characters. This band has three animated dog members: Buffy, Abby and Bo and their universe is explored through the band's website and music videos, the first of which debuted today -and includes an appearance by President Obama. Other media will follow, such as short cartoons and an upcoming ‘live’ 3D tour.
Super Doggies are pursuing the dream to perform around the world, with the involvement of local communities, focusing on children. Concerned about their future, Super Doggies has focused its attention on the global issue of youth poverty. The Super Doggies are ‘good citizens’ who want to bring attention to the issue of poverty and work with local communities to highlight their plight. Super Doggies’s citizenship principles are founded on the conviction that the arts, business and social initiatives can, together, contribute to making a better world.
The press release: The guy behind Rango – which just won an Oscar for best animated feature film – will help introduce a new cast of animated characters with a political bent for this election season – the Super-Doggies.
The trio of singing Super-Doggies includes Barack Obama’s dog, “Bo,” Vladmir Putin’s dog, “Buffy,” and “Abby,” the dog of a South African girl, Imani, who lives in the slums of Johannesburg.
In the 3:45 music video, Imani watches from her house how both Obama and Putin care for their dogs. All Imani has is a raggedy stuffed animal. At one point she writes to both men asking them for a real pet – and in a fantastic scene that climaxes into a dance party featuring both dancing world leaders and their dogs – she gets her wish (Obama joins the action at 2:47)
The story is timely on multiple levels. Both Russia and the US have national elections coming up (March 4th for Russia and November 6th for the US). In fact, there have been several stories in Obama’s campaign promoting how well he treats Bo considering his competitor, Mitt Romney, once placed his dog in a kennel and strapped it on top of his car for a cross-country trip.
The work of Rango’s character designer, Eugeniy Yelchin is familiar to many of us. He designed Coca-Cola’s iconic polar bears, worked on the Film, “The Brothers Grimm” and also designed the opening for HBO’s “Rome.”
For this project, Yelchin teamed up with Grammy Award winning producer Neal Pogue who works with musicians like Nicky Minaj, Lil Wayne, Outkast and Pink. The effort is also getting guidance from marketing veteran Bruce Kirkland who directed The Beatles Anthology project, and has produced albums for the Beastie Boys, the Spice Girls, Radiohead, and Everclear. The overall project is the brainchild of producer Eugeniy Kuritsyn of Global Media Line, a Moscow-based creative producing house with an impressive line of talent to realize this vision. Eugeniy wanted to create a new entertainment product that would ensure collaboration between the best representatives of international entertainment industry.
Later in the year, the Super-Doggies will go on a world tour, featuring holographic dancing and singing dogs combined with the world’s best dance talent and circus performers. A portion of the proceeds will go to animal welfare organizations to encourage people to adopt dogs.
Tour dates and other information will be announced later in the year on the Super-Doggies website: http://www.super-doggies.com/ where you can sign up for the newsletter for updates.
From Social Media predictions, fashion trends, media spending and statistics to fun trivia and history, here's a round up of 20 the best and most interesting infographics pertaining to the Academy Award and Oscar.
above: detail from IMDB infographic
More infographics (click to view larger):
Vulture has a clever infographics for each Best Picture Nominee: See all the Best Picture nominee infographics from Vulture here
The Face Group did some Augmented Research (above and below) with various infographics as they added variables: Check that out here. Slate has a an interactive infographic about The Oscar Acceptance speeches and who gets thanks the most: There's even an infographic for an Oscar drinking game:
