Fine Art Prints Of Stanley Kubrick Photos Available For The First Time. 25 Fabulous Images.

I've always been a huge fan of the directorial and writing work of Stanley Kubrick, as witnessed by this comprehensive post I wrote on an exposition of his work earlier this year.

So you can imagine my joy when I discovered that the photographs he took as a photojournalist for Look Magazine early in his career which were previously only available for viewing in museum archives or in books about Kubrick, are now being offered as art prints (complete with certificates of authenticity) from the Museum of the City of New York and VandM.



The selection of fine art prints of the photographic works by the legendary film director exemplify his eye for both content and composition. Shot during the years of 1946-1949, each of the 25 hand-selected photos is printed on museum quality acid-free fibre paper using archival pigment inks and is accompanied by a certificate of authenticity, numbered and signed by the Museum of the City of New York’s Curator of Prints and Photographs.



Available in limited editions and four different sizes, the unframed prints have a minimum half inch border so you can frame them without obscuring the image.



Stanley Kubrick—who wrote and directed Lolita, Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange and The Shining—was one of America’s most influential filmmakers. Directors ranging from the Coen Brothers to Tim Burton paid visual homage to his works in their own films, and no less than Steven Spielberg said: “Nobody could shoot a picture better in history.”



In fact Kubrick’s special skill behind the camera and his ability to create visual intrigue were evident long before he was a Hollywood icon. Even at the age of 17, Kubrick was an immense talent. In 1945, for $25, he sold a photograph to Look magazine of a broken-hearted newsvendor reacting to the death of President Franklin D. Roosevelt. A few months later Kubrick joined Look’s staff to become the youngest staff photographer in the magazine’s history. He continued to work for Look until 1950 when he left to pursue filmmaking.



It was during this period that Kubrick’s respected—and often-imitated—style first became apparent. His photographs are vintage Kubrick: a complex blend of composition, drama, light and mystery.




Now, for the first time, fine art prints of Kubrick’s work as a photojournalist are available for sale. Previously only available for viewing in museum archives or in books about Kubrick, curators at the Museum of the City of New York and art advisors at VandM examined over 10,000 negatives of Kubrick’s photos to hand select 25 for this limited edition sale on VandM.




All photos are printed on museum quality acid-free fibre paper using archival pigment inks and are accompanied by a certificate of authenticity, numbered and signed by the Museum of the City of New York’s Curator of Prints and Photographs.

Edition of 50
11x14 = $250
16x20 = $450
20x24 = $600

Edition of 10
36x36 = $2500

The majority of the proceeds go to the Museum of the City of New York.

See all 25 stunning photographs and purchase them here

UPDATED: A Look At the 9/11 Memorial, Museum and Monument Designs at Ground Zero.

above: aerial view rendering of the 9/11 Memorial

above: one of the two 9/11 Memorial bronze name-etched reflecting pools in the foreground and the 9/11 Museum Pavilion entry in the background

Today, on the 10th anniversary of the tragic terrorist attacks on the World Trade Centers' twin towers and the Pentagon, there will be several memorials taking place as we honor the victims with moments of silence and reflection.

Below, President Obama, President Bush and their wives visit the Reflections of Absence this morning:


above photo by Robert Deutsch-Pool/Getty Images

The 9/11 Memorial will be dedicated on September 11, 2011 (today) in a special ceremony for victims’ families. Therefore, it is fitting that today I share with you photos, renderings, images and information about the 9/11 Memorial; its monuments, plaza and museum at the site of Ground Zero.


above photo by Chip Somodevilla/Getty Images

above photo AFP PHOTO/POOL/Justin Lane


Reflecting Absence



above: Water Falls in the Memorial North Pool (Photo by Joe Woolhead)

The 9/11 Memorial by Michael Arad (formally named "Reflecting Absence") is located at the site of the former World Trade Center complex, and occupies approximately half of the 16-acre site. The memorial features two enormous waterfalls and reflecting pools, each about an acre in size, set within the footprints of the original twin towers.



above: an aerial renderings of 9/11 Memorial Plaza and site


above: a cross-section of the Memorial Plaza and the Museum Pavilion and interior

above and below: rendering of the Bronze Names Parapets




above: a birdseye view of the 911 Memorial Monuments at night

The 2,983 names
The 2,983 names of the men, women, and children killed in the attacks of September 11, 2001 and February 26, 1993, are inscribed into bronze parapets surrounding the twin Memorial pools, located in the footprints of the Twin Towers.



Every name has a code containing N for North Pool or S for South Pool, followed by a panel number that locates it on one of the Memorial Pools.



Names are placed within nine primary groups.


Around the North Pool:
World Trade Center North
Flight 11
February 26, 1993

Around the South Pool:
World Trade Center South
First Responders
Flight 175
Pentagon
Flight 77
Flight 93

Requested adjacencies within these groups:
Names are arranged by affiliation, so that the employees of a company or the crew of a flight are together. The next-of-kin of the victims and surviving colleagues made additional requests for specific names to be inscribed next to one another. Some requests were between relatives and friends; others were between people who had just met, but who responded together as events unfolded.



This design allows the names of family, friends, and colleagues to be together, as they lived and died. The requested adjacencies reflected on the Memorial make it unique from any other in existence.


above: rendering of interior of the Memorial Hall, a view of the reflecting pools from beneath

You can search for a name on the memorial here.

Memorial Plaza by Peter Walker and Partners

above: With its grove of trees, the Memorial’s plaza is an actual green roof for the structure housing the 9/11 Memorial Museum (May 2011, Photo by Joe Woolhead).

The landscape architecture of Memorial Plaza was designed by Peter Walker and Partners of Berkeley, CA. and is one of the most sustainable, green plazas ever constructed. Its irrigation, storm water and pest management systems will conserve energy, water and other resources.



above: renderings of the 9/11 Museum Plaza

Rainwater will be collected in storage tanks below the plaza surface. A majority of the daily and monthly irrigation requirements will be met by the harvested water.


above: The Survivor Tree Blooms on the Memorial Site (Photo by Amy Dreher)

The Memorial Museum and Entry Pavilion
The Museum’s entry pavilion was designed by the Norwegian architecture firm, Snøhetta and the underground museum exhibit space by Aedas, Museum architects.

The Mission of the Memorial Museum, located at the World Trade Center site, is to bear solemn witness to the terrorist attacks of September 11, 2001 and February 26, 1993.


above: a birdseye rendering of the Museum’s entry pavilion

Visitors to the Memorial Museum will be presented with a sequence of experiences which allow for individual and personal encounters within an overall context of a historical narrative.


above: a rendering of the Museum’s entry pavilion

The nature of the Museum is such that the shell of the space, comprising existing foundations, the slurry wall and other in-situ elements of the site is as much an artifact of 9/11 as the contents of the exhibitions.


above: a rendering of the Museum atrium with Twin Tower "tridents."

Visitors will enter through a pavilion that houses an auditorium for public programming, a multi-purpose area for contemplation and refreshment and a private suite reserved for victims’ family members. Two of the original steel tridents from the Twin Towers will be enclosed within the pavilion’s grand glass atrium, standing as references to the past, while signaling hope for the future.


above: rendering of Memorial Exhibition in the heart of the museum site

Memorial Design Exhibition
The introductory exhibit leads to a gently ramped “ribbon,” toward the core exhibitions at bedrock, the archeological heart of the World Trade Center site.


above: rendering of the interior of the Museum

This descent echoes the ramp that once was used by construction workers to help build the World Trade Center and was again used in the aftermath of the attacks for the recovery and clean-up of the site and by victims’ family members to access bedrock on anniversaries of 9/11.


above: rendering of interactive tables and artifact cases

From the ramp, vistas will be created, providing a sense of the vastness of the site and the scale of the original Towers. Visitors will be able to stand between the locations of the original Twin Towers and experience their scale, which will be referenced by two metal-clad, ethereal volumes. The ramp that will bring visitors to the core Museum exhibitions has already been framed in steel and concrete.


above: rendering of space for remembrances

above: interactive tables and Wall of Faces

The final descent to the base of the site will take visitors alongside the Vesey Street Stair remnant – also known as the “Survivor Stairs,” which was used by hundreds to escape the destruction of the Towers on 9/11.


above: The "Survivor's Staircase" before being moved to the museum



After today's dedication ceremony the 9/11 Memorial will be open to the general public.

This post is in sincere remembrance of those lost in this tragedy. May they rest in peace.

More information can be found here.

some images courtesy of the LMCD and many of the computer renderings in this post were created by Squared Design Lab

35 Graphic Design Posters by Vahram Muratyan Compare Paris With New York.

Art Director and Graphic Designer Vahram Muratyan compares Paris to New York with a series of beautifully designed graphic art posters.







Playfully pitting the two metropolitan cities against one another visually - fashion, film, food, transportation, drink, art, sports, venues and cultural icons are placed side by side or top to bottom in a minimalist style of illustration accented with retro-style typography.



I don't know whether to exclaim "Ooh La La" or "Fuck, yeah!"







































































Several of the above prints (not all of them) are available for purchase ($24) at Society 6.



Learn more at his blog.