Showing posts with label graphic design. Show all posts
Showing posts with label graphic design. Show all posts

Friday, April 27, 2012

Wonderful Saul Bass Inspired Video For Louis Vuitton 2012 Summer Belt Collection.






As a huge fan of Saul Bass, I was thrilled to come across lovely animated piece of web content for Louis Vuitton. Directed by illustrator/animator Jo Ratcliffe, this fabulous Saul Bass-inspired animated video is promoting the luxury brand's 2012 Summer Belt Collection.





LV describes the project as follows:
As the major point of focus on a human silhouette accentuating the waist, belts could be considered the most essential accessory. They were decorative and mainly associated with the military in past days. However, as a fashion item in modern times, men started wearing belts in the 1920s as trouser waists fell to a lower line. Louis Vuitton has been making belts since the 1930s as both a fashion accessory and necessary yet basic addition to trousers. Here artist Jo Ratcliffe showcases Louis Vuitton’s latest collection in this Saul Bass detective style animation. Fasten your belts!

Credits
Director: Jo Ratcliffe
Animation and Production: Minivegas
Music Supervisor: Rebeca Ann Toledo, Dust Music Supervision of Norway

Louis Vuitton

Thursday, April 26, 2012

Prada Parallel Universes - 12 Animated Gifs for Prada by Graphic Designer Vahram Muratyan.




Graphic designer Vahram Muratyan, best known for his Paris Versus New York series of posters and book has collaborated with uber luxe fashion brand Prada for Parallel Universes 2012, a series of animated gifs.

Prada describes the project as follows:
The creative path imagined by graphic designer and artist Vahram Muratyan, is a virtual road/paved/with Prada 2012 spring/summer men's and women's accessories, which highlights through rapid and intuitive movements two parallel universes that meet under the auspices of Prada style.

Prada Parallel Universes is an exercise that grows out of the drive to experiment with, and to match, new communications media and Prada’s semiotics; to be consistent with the present without nostalgia.

This dreamlike yet virtual story was entrusted to the Armenian born illustrator Vahram Muratyan. Through his adopted city of Paris, Vahram recently came into the limelight for his newly published book Paris vs New York, a work of art which compares the two great cities with graphic signs exploring their different similarities.

The same intellectual path is followed by Prada in its spring/summer collections dedicated to accessories.
PRADA PARALLEL UNIVERSES spring / summer 2012.

PRADA PATENT LEATHER SANDALS:


PRADA DIXIE SUNGLASSES:



PRADA SAFFIANO BICOLOR BAG / PRADA ROCKET SHOES
PRADA SPAZZOLATO+BIKE SHOES / PRADA ROCKET SHOES / PRADA SAFFIANO BICOLOR BAG:

PRADA TEDDY SUNGLASSES:

PRADA ROCKET SHOES:


PRADA SAFFIANO BICOLOR BAG:

PRADA DIXIE SUNGLASSES / PRADA PYRAMIDE BAG:


Illustrator and Graphic Designer Vahram Muratyan:


Friday, April 20, 2012

Pantone Angry Birds by Felipe Marcus



above composite by if it's hip, it's here

Brazil based illustrator and graphic designer Felipe Marcus had some fun matching Angry Birds characters to Pantone colors in this graphic art project.






via DesignTaxi via Thaeger

Friday, March 30, 2012

What The F Can You Design? Get In On The Flax Art Contest For Their Facebook Page.




If you're any sort of artist and have ever lived on the West Coast, chances are you are familiar with Flax Art and Design. The Flax family has enjoyed serving the creative community in the Bay Area through their legendary San Francisco retail store for over 72 years. Since 1938, they've become well known for carrying an incredible breadth of product, providing customers with a courteous and knowledgeable staff, and their ability to inspire creativity through the thoughtful presentation of merchandise.


above: San Francisco's oldest and most beloved art supply store at 1699 Market Street

Now, Flax is offering a contest to design the artwork for the masthead atop their Facebook page. Their original and legendary "F" logo, originally designed by respected graphic designer Lou Danziger, must be incorporated into the design and the winning designer will receive a $100 gift card as well as having their work featured on the Flax facebook timeline.

First off, a bit about the legendary Flax "F" which, if you did not know, is in the permanent design collection of the Museum of Modern Art.


above: the iconic "F" for Flax by legendary designer Lou Danziger, above right, is made up of 12 perfect squares

Harvey Flax, who ran the Los Angeles Flax store, commissioned a young designer named Louis Danzinger in 1949 to create a new trademark. The logo was originally intended to support Harvey’s private label program. The hot item at that time was a new formula of rubber cement that required just one coat (still called One-Coat today), and Harvey had drums of it in the back room for repackaging. Later the logo was adopted and shared with the other Flax businesses across the country, who also used it for the joint Flax catalog (see below).


above: 1968 Flax catalog No.9

Danzinger is one of the most respected graphic designers in America and currently teaches at his (and my own) alma mater, Art Center College of Design. He has created work for Microsoft, General Lighting, and A & M Records among others, and won many awards along the way. Danzinger’s goal was in “taking a minimal amount of material and a minimal amount of effort—nothing wasted—to achieve maximum impact.” Here he takes 12 perfect squares and creates a simple pattern with dramatic impact.


above: 12 perfect squares make up the F by Danziger for Flax

Featured in the book American Modernism: graphic design 1920-1960, the authors state “The ‘F’ is simply constructed, bold in weight and adaptable to many applications.”

The Flax Facebook Timeline art contest details and rules:

Enter Flax's Facebook cover photo contest for a chance to win a $100 gift card and see your artwork on the FLAX Facebook Timeline.

Who can enter: Artists of all levels are welcome to enter. Artwork must be original and all mediums will be considered.

What do you win? Winners will be chosen monthly and each will receive a $100 FLAX gift card. We will keep a permanent archive of winning art in our Facebook photo albums.

Deadline for Entries: April 30, 2012.

Design Requirements and Guidelines:
• Flax F Artwork must measure 851 x 315 pixels (8.85″ wide x 3.28″ high) and our original “F” logo must be incorporated in the design. The Flax “F” has a special history (which you know know if you've read this post) and you can see past examples of submitted entries to our catalog cover contest below.

• Submit digitally by email or mail us your original work and we will scan it. Important note: entries will not be returned! Finalists will be required to sign a letter confirming sole ownership of artwork. All published work becomes the property of FLAX art & design, with reuse of the work by the artist limited to self-promotion. Winners will be notified via email.

Background/Inspiration:
The artwork that graced the FLAX art & design catalogs for over 20 years (1984 – 2007) was creative and intriguing. Their call to artists enlisted work from art students, major advertising firms, freelance artists and casual art enthusiasts. In fact, their catalog cover contests were often prepared as a class assignment.

Take a peek at some of Flax's favorites over the years:






And when you visit their store, take a look at their Wall of Fame where the catalog covers hang proudly.


FLAX Art Store History:

above: 437 Kearny Street, the first FLAX location, 1938

Herman and Sylvia Flax, with their son Jerome, established Flax Artist's Materials in downtown San Francisco in 1938. Having lost virtually everything in the Great Depression, Herman took his family west from New Jersey and opened a tiny art supply store. Herman's three brothers also established independent, successful art supply outlets in New York, Los Angeles and Chicago, and eventually spread to Phoenix, Orlando and Atlanta. In 1952 Herman passed away at an early age, and upon returning from military service, Herman and Sylvia’s youngest son, Philip, joined the business alongside his brother Jerry. The Flax brothers grew close to their customers, becoming well known for their generous support of struggling artists and the local arts.


above: 255 Kearny at Bush, 1950

In 1975 Philip took full control of the company after Jerry left to pursue other interests. Then in 1981, after a more than 50-year presence downtown, the store moved to its current location on Market Street. With a small operation in the back of the store the company ventured into the mail order business in 1984. Within a year Flax moved its headquarters 10 miles south to Brisbane, providing the space needed to support the growing catalog business. In a continuation of the Flax culture of engaging the artist community, participants in an annual catalog cover competition created all the catalog covers. Over the years the Flax catalog was able to give over 100 artists national exposure to their talents.


above: 1699 Market Street, 2012

The store grew to 32,000 sq. ft. in 1997 after an expansion and remodel, which attracted a high number of new customers to the fresh look and expanded offerings. A makeover of the front exterior gave the store landmark status and a stop along the tourist route. With the new tag line “where creative people shop”, the transition was complete – Flax had become much more than an art store. The increase in size and variety has led to the Flax retail store becoming a “destination” for a unique shopping experience.


above: 1699 Market Street, 2012

FLAX has been voted by readers of SF Weekly as the "Best Art Supply Store in the Bay Area" every year since 2001.

Once again, submit your entries digitally or by email before April 30th, 2012. Winners will be notified by e-mail.


FLAX art & design
Cover Contest
1699 Market Street
San Francisco, Ca 94103

A special thanks to Howard Flax who writes the Flax Art Blog for additional images and information

Saturday, February 25, 2012

Deal A Very Hip Hand With Steampunk Playing Cards in Bronze Debossed Tuck Cases.






At the edge of industry, therein lies Steampunk.

Ripped from the pages of science fiction, the gears are turning, the steam is pumping, and the playing cards were finally born. It wasn't easy. The paper used on these tuck cases did NOT exist and Theory11 created it just for this special deck of regulation playing cards.

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Theory 11 made the bronze paper from scratch in order to perfectly print the ink that covers its surface in 19th century Victorian machinery.





The boldly stamped, debossed elements cast shadows of illusion and create a perspective of depth and weight. The vents on top of the box invite you to take a look inside.




Opening the box, you will discover 52 pieces of machinery. The depth of the playing cards is fittingly unreal.




So unreal, it beckons you to stare at it's seemingly infinite array of detail. Designed by Alex Beltechi and constructed of 12 million 3D polygons. The Jokers are morphed into jet turbines of steel.




The Ace of Spades is a window of opportunity to witness the gears of intricate beauty and complexity.




A joint creative collaboration between the United States Playing Card Company and theory11. Produced by theory11 and designed by Alex Beltechi in Romania.

Own a piece of science fiction. Where vintage industry meets reality.


information, description and photos from both Theory11 and Alex Beltechi.

$5.95 per deck.
buy them here.